Lens, matched with any M43 camera, gives you a stabilized telephoto lens with a 35mm equivalent focal length of 200-800mm! Wildlife photography is a genre that DSLR cameras have dominated for decades. The camera has a fast sensor readout so rolling shutter is well-controlled when using the electronic shutter. Best standard zooms for Micro Four Thirds Panasonic 12-35mm f/2.8 II LUMIX G Vario ASPH Power OIS Lens . not the best solution if you are interested in 4K video as it lacks picture profiles and log gammas, which is a shame given the price. I got very good results with it and I wouldn’t hesitate to recommend the camera. Quite possibly one of the best-looking cameras on the market, the Pen-F has a great deal of substance behind all that style. The battery remains the same as the previous generation of X-series cameras, so when used to its full potential, you’ll need some spares. For now, we have to focus on what’s available, and while the X-T3 is not as comfortable to use as the X-H1 straight out of the box, it offers features that can’t be ignored for wildlife photography. POWER O.I.S. Best Micro Four Thirds zoom lens: Olympus M.Zuiko 12-100mm F4 IS Pro. First of all, the X-T3 introduces a more advanced autofocus system with 117 points (425 available in certain modes). Your comment will be posted after it is approved. It doesn’t feature the blackout-free live view nor the 20fps speed of the A9 series, but it has an excellent 24MP BSI sensor, decent 10fps burst shooting, and the same long-lasting battery and design. The 4K video quality on the other hand is a big step forward and includes 4K video recording up to 60fps in 10-bit, as well as a maximum of 120fps in 1080p. Best Micro Four Thirds Lens for Kit Upgrade Panasonic Lumix G X Vario 12-35mm F/2.8 P OIS Micro 4/3 Lens. At that point, the 100-400mm becomes the better solution. It is the most reliable camera I’ve ever used for hand-held shooting, be it for stills or video. The shutter release button is a little too sensitive for my taste but others may prefer it that way. The lens list is very similar as that of the E-M1X: Please note that the performance may not be as good with Olympus lenses because the DfD system is officially only compatible with Lumix/Leica lenses. At the weight and size it no issue to carry it in the Scottish Islands for golden eagle and other wildlife. With their compact design, improved performance, unique array of features and increasing number of telephoto lenses, wildlife photographers now have a fresh new set of tools to work with. The continuous shooting speeds go up to 12fps or 9fps with continuous AF when using the mechanical shutter. For now you can only choose three options (motorsports, planes and trains) but hopefully firmware updates will expand this to animals. I think another great point of the micro 4/3 is to be able to use third party lenses with a simple converter. Certainly the small size of the body can be an advantage for other genres but when using larger lenses, you inevitably feel a lack of balance and find yourself wishing for a larger grip. The OM-D E-M1 II was at the top of our list for a long time, but it has been replaced by the more recent OM-D E-M1X as the best option for wildlife. I admit I had an easier time following the birds because of the zero lag between what was happening and what I was seeing. Before wrapping up, I’d like to mention other cameras we’ve used for wildlife photography. The older TC 1.4 and 2x are not designed for lenses faster than f2.8 and Fujifilm warns that the optical quality won’t be as good if you use one of those older versions on the 200mm. The E-M1X comes with an advanced algorithm that can detect different types of subjects. How good are mirrorless cameras for wildlife photography? Sweepstakes rules and regulations can be viewed here. The quality is good but dynamic range and high ISO performance is not on par with other systems. Sony A9 II6. The kit I tested would cost you around $3200 / £3000 / €3600 but you can find both cheaper and more expensive combinations. Latest Articles. Put simply, the more focus points the camera has, the better chance you have of it being able to quickly lock on to, and more importantly keep your subject as it moves, in focus. They all pair well with both older and more modern MFT cameras. The cameras offers useful settings for the AF areas, as well as the best real time tracking I’ve seen. The super fast sensor readout allows you to shoot up to 20fps with AF/AE tracking without any distortion (rolling shutter effect). The X-T3 inaugurated the fourth generation of X-series cameras. Here is the selection thus far: Here the best choice is the new 100-400mm G Master but like many Sony full frame lenses, it comes at a rather expensive price in comparison to other offerings which cancels out the advantage of a cheaper camera body. And just like the Olympus, you can use a mode similar to Pro Capture (called Pre-Burst) to save up to 15 images before fully depressing the shutter button. MEGA O.I.S. To give you a few numbers, more than 24 telephoto lenses (300mm or longer) are available for the D500 and that is without counting kit lenses, all-purpose lenses and teleconverter options. It proved very useful in my tests. The several 4/3 lenses I mentioned are probably the next best for general bird photography, along with the 40-150mm Pro, though I think the 300mm f/4 Pro has made the ED 300mm f/2.8 practically obsolete, considering the price difference. The design is more compact than the other cameras mentioned here, especially concerning the front grip. If you are looking for a wildlife lens and you already use the micro four thirds system, your best choice could be to change to a full Canon system. If you want a faster option, there is the new 200mm f/2 but it costs more. MEGA O.I.S. More importantly, it can do this while maintaining a live view feed in the EVF or LCD screen. The X-H1 offers a larger grip and better ergonomics than other Fuji models which makes the camera more comfortable to use with large lenses such as XF 100-400mm. Although this results in a delay between what you see and what is actually happening, shooting at 20fps does help you to track fast moving subject more effectively because the frame rate is really smooth. Leica is infamously known as being one of the best camera manufacturers out there. With a keeper rate of 96%/99%, its phase detection system with 693 points has made the leap forward we were waiting for. This is why we put other cameras in front – their autofocus systems are simply better equipped for the most difficult of moving subjects. Copyright 2017 - 2020 - All Rights Reserved, ​Micro Four Thirds camera Gear For Bird/Wildlife Photographers, Panasonic Leica DG Vario-Elmar 100-400mm f/4-6.3 ASPH. As of now, I’m not sure it is worth spending all that money unless the type of subject you photograph requires more reach than 400mm (equivalent). Certainly the old rule applies – a body with a larger sensor can give you better dynamic range or high ISO performance – but I can safely say that I got good results with all the models listed here. Panasonic has made some improvements via firmware (version 2.0 especially), but the performance remains behind its competitors. Stunning buffer capabilities (even when shooting RAW) and a state of the art EVF (3686k dots, 0.78x magnification and 120fps refresh rate) further improve the experience. Check price of the Sony A9 II onAmazon | B&H Photo | eBay, Second-hand Sony cameras onMPB US | MPB UK, Guide:Wildlife and Birds with Sony A7 / A9, X-mount system – 26MP APS-C X-Trans IV sensor – 20 or 30fps (C-AF), live view and no blackouts. And it’s no wonder their Micro Four Thirds lenses are one of the best performing lenses … If a DSLR gives you the advantage of zero lag thanks to its optical viewfinder, the Sony A9 II goes a step further with its electronic shutter and live view with zero blackouts. Pro Capture is limited to the H mode with Panasonic lenses. There are different price points to satisfy different budgets: Note: the Olympus 75-300mm is not weather-sealed. I agree the Panasonic Leica DG 100-400 mm is brilliant both on the GX8 and GH5 for handheld wildlife especially birds in flight. Up to 9fps, the G9 shows you a live view with blackouts. Then we have the lenses. Scott, Sony a64008. This guide to the best micro 4/3 lenses is geared mostly to generalist, all-purpose lenses that I deem most useful and best value for money for a wide range of situations. There are also dual SD card slots with UHS-II compatibility, and the battery life is very good. Olympus users have the possibility to adapt old DSLR Four Thirds lenses via the MMF-3 adapter. The electronic viewfinder doesn’t offer the best resolution by today’s standards (2.36M dots) but it has a large magnification of 0.83x, a short lag of 5ms and a refresh rate of 120fps with progressive scan rather than interlaced. I wound up with some soft results but very few images where the AF went completely wrong. the E-M1 II remains a smaller and more affordable option, and firmware 3.0 has improved the AF performance (not as good as the E-M1X but much better than before). I just wish some of the buttons on the rear could be larger (for back-focusing for example). GearGuide How would the em10 mark 2 do in these regards? continuous shooting speeds up to 60fps and 18fps, the Pro Capture mode lets you save images before fully depressing the shutter release button, state of the art image stabilisation for stills and video, EVF with large magnification and 120fps progressive scan, weather sealing, dual SD card slot, excellent battery life, the 20MP sensor has improved dynamic range but you won’t reach the same kind of quality as larger sensors, Pro Capture works with Panasonic lenses in H mode only, it is a large investment if you want to work with the best lenses. But the Panasonic Lumix G Vario 45-150mm f/4-5.6 ASPH. The menu system is much improved over previous Sony cameras as well. The best 150-600mm lenses can't be beaten when it comes to versatility and reach. I wouldn’t recommend the camera for this genre primarily but if you are interested in Fuji gear, perhaps it could be an interesting back-up option. Canon 100-400mm f/4.5-5.6 II (£1,820 // $2,000) These recommendations are based on lenses we’ve reviewed here at Nature TTL, as well as information gleaned from real life experience with the gear. The cost increases considerably if you want the fastest telephoto lenses available. The top LCD screen is very handy as a way of checking settings on the fly and the electronic viewfinder is excellent thanks to the high resolution of 3.68M dots, 120fps refresh rate and variable magnification (the highest being 0.83x). Panasonic Leica DG 100-400mm f/4-6.3 O.I.S. The Panasonic G9 is an interesting alternative that costs less and does everything right except for the autofocus which can let you down in challenging situations. The second aspect is the optical viewfinder. The built-in image stabilisation remains the best on the market (it has an even higher rating than the already stunning E-M1 II). On a budget, it is better to take a look at the E-M1 II which recently received a big boost in AF performance thanks to firmware 3.0. It ticks all the boxes but does have one limitation that can’t be overlooked: the autofocus. Before we had the chance to test the G9, the GH5 was on the main list. That being said, I believe it’s only a matter time before third party brands get on board. However to take full advantage of some features like Sync IS and Pro Capture, the 300mm f/4 PRO is the best choice, also because it provides a faster aperture at that focal length. Whether you already invested in a DSLR or are new to the genre, I feel that Micro Four Thirds remains one of the most interesting choice because of the reduced weight and size, wider selection of lenses and additional choice for people on a budget. There are two teleconverters that also work with the XF 50-140mm f/2.8 but to get the most reach, you need to use the TC 2.0x which decreases the fastest aperture to f/5.6. At higher speeds, it’s the last image taken that is shown instead. So it must be true. The E-M1X uses a modified sensor from the E-M1 II. I haven’t noticed any distortion when photographing birds, so I would say it is quite contained. With firmware 3.0, the AF has improved: it doesn’t get to the same level of the X model but makes the camera a very interesting option if you have a more restricted budget. Below you can see a video taken in a recent trip to Scotland, all filmed hand-held with the Leica DG 200mm f2.8 lens and TC 1.4x. Olympus M.Zuiko ED 12-40mm f/2.8 PRO To know more about our ethics, you can visit our full disclosure page. It still uses 121 cross-type hybrid points like the E-M1 II but the re-designed algorithm brings a significant improvement to performance. If a newly announced camera fits the requirements, we will include useful information about it and update the article once we get our hands on it. More important, the phase detection points cover the entire width of the sensor rather than just the central portion. So if we've excluded your favorite lens, or if you disagree with any of our selections, please let us know in the comments below. Fortunately, we’ve sorted through the long list of options and found the best budget lenses for wildlife photography. lens is $100 cheaper and has 50mm further reach, so this would … You can buy a new Canon M50 camera … The best lens choices for wildlife photography. The buffer is excellent especially when using an UHS-II card. One of the main differences in comparison to most of the mirrorless cameras mentioned here is the low number of out-of-focus shots I got. Here are all the native lenses to consider, as of now: Because the A9 II has a versatile phase detection system, you can also consider using DSLR lenses via compatible adapters. Unfortunately you don’t get a blackout-free live view as you do with the Sony A9 or Fuji X-T3. A comparison of equivalent lens option for Nikon FX, Panasonic and Olympus. This means that when following a difficult subject that temporarily moves to the left or right side of the frame, there is a higher chance the camera will be able to continue tracking effectively. The Lumix G9 is one of the largest and heaviest on the list and comes with a robust grip that feels like a natural extension of your hand. And soon the camera will get EyeAF for animals, which we already tested on the A7 III and found really effective. I was also pleasantly surprised by the 2* digital zoom bringing it to a 400-1600 mm equivalent, not perfect but in "emergency" it fulfilled my needs. Share your best Macro Photographs with us on Twitter or Instagram with the hashtag #MacroPhotoWeek for a chance to win a new macro lens and other prizes. So if you are considering switching over to Fujifilm to reduce the weight of your gear, keep in mind that there isn’t a huge advantage when using certain telephoto lenses. Using the E-M1X with the same telephoto lenses I used with the E-M1 II before didn’t force me to upgrade my backpack, so in the end the difference isn’t as big as you might think. Then we have the autofocus system which, with its 425 phase detection points and updated algorithm, is on par with, if not better than other cameras on this list in terms of performance. For now I’ve decided not to include them because there aren’t any native telephoto lenses to go with them. Now that I’ve gathered ample experience, I feel it is a good time to put this article out. Preface II: Nikon D500, the one to beat for birds in flight4. The best wildlife lens is a huge telephoto. Read more about my journey to mirrorless here . If your goal is to capture animals in their natural environment, you will need a suitable lens to do the job. Enter your email and click the blue button below to open the subscription form. The AF-C Custom Settings allow you to fine-tune the performance. These “intrinsic advantages” as I’m calling them are inherent to the system and can assist in your wildlife photography. Still, you can shoot at 20fps with the full width of the sensor, and even better, all these speeds are available with live view and no blackouts, just like the Sony A9. Fujifilm X-T37. 10fps continuous shooting with AE/AF tracking. Serious wildlife shooters will go crazy for this extreme telephoto zoom lens from Canon. The new 70-350mm offers a bit more reach and is less expensive. Contests Since we’re talking about an electronic shutter (so no mechanical curtains closing and opening in front of the sensor), you can shoot at 20fps with live view and no blackouts. Next, I’ll go over the best lenses you might want in your kit, and then you probably should pick a one or two lens solution for your style of photography. The AF of the G9 excels in almost every way and in our in-depth comparison with the E-M1 II, we found it to be better in most situations except for birds in flight, or more precisely, birds flying against a busy background. Also keep in mind that features such as Pro Capture are not compatible. I am looking into starting photography. The E-M1X has a built-in vertical grip (a first in the mirrorless segment) and its construction is unlike any other mirrorless product I’ve tried so far. May 2017 Just holding it in your hand immediately gives you a very positive impression about its build quality and strength. Here’s a list of popular Nikon lenses, along with equivalent offerings from Panasonic and Olympus. In my opinion this is not a solution worth considering if wildlife is your main interest. The maximum speed is 10fps (or 8fps with live view) with decent buffer capabilities. However it isn’t the only camera system that can give you excellent results in this field anymore. The buffer capabilities are not particularly good when shooting at these high bursts, but one alternative is to take advantage of the 6K/4K Photo mode, where you can record 6K/4K videos at 30fps and save any frame you want as an 18MP or 8MP JPG. Finally, the battery is larger and improves the lifespan significantly, putting it close to DSLR territory despite the huge processing power employed by the camera. These are a great starting point for shooting wildlife, but if you want to get serious about the subject, their relatively short reach can quickly become limiting. Tripod required in view of the size and weight of the lens. Telephoto lenses can be heavy and often need to be mounted on a tripod in order to be used. (The same thing can be said for Canon users.) Between Olympus and Panasonic, the Micro Four Thirds system now has virtually all the same lens equivalents I had with my Nikon gear. Speaking of video, the camera can record 4K up to 30p and 102Mbps, or Cinema 4K at 24fps and 237Mbps (variable). Good image quality with the 20MP DX sensor. News That being said, the E-M1 II remains an excellent choice given that it has the same burst speeds and buffer capabilities as its bigger brother, as well as a similar sensor and an obvious price advantage. The 100-400mm is excellent in terms of sharpness and autofocus speed (even with the TC on) but isn’t cheap. If you like roughing it out in the wild and need a micro four thirds lens that can also tough it out with you, then this lens from Panasonic is for you. I haven’t tested this particular set-up with the a6400. It doesn’t reach the same level of performance with the electronic shutter but the camera remains an interesting alternative thanks its superior video capabilities. Where mirrorless cameras go head-to-head! Google searches for “best micro four-thirds lenses” have gone through the roof in the past few years. In addition to the 5-axis sensor shift, you can use Sync IS to combine sensor and optical stabilisation with select lenses. The Best Micro 4/3 Lenses for 2019 1. Olympus Releases Lightweight Super-Telephoto Zoom Lens . That said, there are advantages worth considering. As for Fujifilm, the brand offers excellent autofocus capabilities and image quality but we still need more lenses for the system to be complete. The only real disadvantage of the Nikon gear is the extra size and weight. I got good results with the X-Pro2 since its AF system is the same as the one found on the X-T2. Leica DG Nocticron 42.5mm f/1.2 ASPH. An MFT setup will take up considerably less room, and be less of a burden on your back. Olympus and Samyang offer cheaper - not to mention smaller and lighter - 12mm prime lenses, but the Summilux is a stop brighter, sharper in the corners when wide-open and the only one that's dust and splash-proof. In many ways, I would have loved to see this camera at the top of the list. It’s the EF 200-400mm ƒ/4L IS USM Extender 1.4x, and along with being a fixed ƒ/4, it’s the first ever to sport a built-in 1.4x tele-extender.With the flick of a switch, this 200-400mm lens converts to a zoom range of 280-560mm, with the loss of one stop of light. Published May 8, 2017 By Mathieu Filed Under: Best Of Tagged With: Best Cameras. Not so much. That being said, Canon and Nikon have been leaders in this field for many years so I’m curious to see what they will bring to the table for wildlife photographers in the future. Let’s take a look at some of the best lenses available for wildlife photography. Tutorial. For wildlife I also use both on the GH5 and GX8 my 40-year old Canon FD 400mm f4.5, a fantastic lens at 1.2 kg, f. 4.5 is nice to have, especially during winter in Scotland. There is also 5-axis stabilisation which works with OSS lenses too (3 axes on the sensor + OSS) but the performance is inferior to that of the E-M1X. I won’t go in-depth about sensor and image quality as I believe that all the cameras I’ve mention here give you good enough results for this genre. Data tells me that more than 100,000 of you caught my earlier Top 5 Nikon, Top 5 Canon & Top 5 Hasselblad lens posts, but it’s intuition that tells me what many of you are really wanting is today’s post on Micro 4/3 and mirrorless lenses. The 26.1MP BSI X-Trans IV sensor doesn’t provide a substantial increase in image quality over the X-H1 or X-T2, but it remains excellent nonetheless with good dynamic range and high ISO performance. Thanks! Despite not being as advanced as the GH5 for video, the G9 still has some nice features on offer if you are interested in this genre for wildlife.
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